About2018-09-22T10:44:29+00:00

ABOUT

Cheryl MaloneWork in porcelain began in 1988 after studying Fine Art in South Africa and the UK during the 1980s.

The working process begins with a pinched vessel which slowly gains height by the addition of numerous coiled layers. The porcelain body is simultaneously pinched and smoothed on the inside and outside until the vessel walls become fine membranes, making them translucent when fired.

Going with the grain of this coil-forming process, the fine brush drawing on the surface of the vessels makes this often imperceptible porcelain working process visible. In this respect, the brush drawing constitutes the completion of the piece, as the inner nuances of the building process are re-imagined in graphic form.

Similarly, the integrated coiled oxide bands make the stratified porcelain layers visible in colour.

The analogies found between the coil-forming process and growth patterns of plants continue to be the most important source of inspiration, with Fibonacci rhythms, phyllotaxis and logarithmic spirals all informing the work.

The freehand ink on paper drawings counterpoint the porcelain vessels in that they are done more rapidly. A pyramidal motif as seen from above is the point of departure for these drawings, initiating a journey of focused intuition opening outward and looping back incrementally to the centre. An ‘abrash’ of improvised clustered organic growth patterns is revealed as a result of this process.

These drawings are part of a continuing series started in 1996.

Exhibitions include:

2013

Everard Read Centenary, Cape Town

2011

Everard Read Gallery, Cape Town
‘Vessels’, Solo exhibition, porcelain vessels and ink on paper line drawings

Dubhe Carreño Gallery, Chicago

2009

SOFA Chicago, Portals Gallery

2008

SOFA Chicago, Portals Gallery

2007

Portals Gallery, Chicago

SOFA Chicago, Portals Gallery

2006

Ceramics S.A. Artscape, Cape Town

The Cape Gallery, Cape Town

SOFA Chicago, Portals Gallery

2005

Ceramics S.A. Artscape, Cape Town

‘Porcelain’ Rust-en-Vrede, Durbanville

2004

The Cape Gallery, Cape Town

2003

Altech Triennale, Artscape, Cape Town

2002

‘African Earth’, Museum Africa, Johannesburg

FNB Vita, Museum Africa, Johannesburg

‘Variations’, art b, Bellville Centre

2001

APSA Nationals, Cape Town

Salon at the Bay Hotel, Cape Town

1998

APSA Cape Regionals, Cape Town

1996

National Ceramics Biennale, Johannesburg

1988

The Camden Arts Centre, London

Also see:

Everard Read Gallery Cape Town past exhibition

Nelson Mandela Metropolitan Museum permanent collection

Ellerman House art collection

Cape Town Creatives featured artist portfolio

Cape Town Creatives blog

Pottery Making Illustrated November/December 2012

Handbuilding Techniques, The American Ceramic Society, 2015

ABOUT

Work in porcelain began in 1988 after studying Fine Art in South Africa and the UK during the 1980s.

The working process begins with a pinched vessel which slowly gains height by the addition of numerous coiled layers. The porcelain body is simultaneously pinched and smoothed on the inside and outside until the vessel walls become fine membranes, making them translucent when fired.

Going with the grain of this coil-forming process, the fine brush drawing on the surface of the vessels makes this often imperceptible porcelain working process visible. In this respect, the brush drawing constitutes the completion of the piece, as the inner nuances of the building process are re-imagined in graphic form.

Similarly, the integrated coiled oxide bands make the stratified porcelain layers visible in colour.

The analogies found between the coil-forming process and growth patterns of plants continue to be the most important source of inspiration, with Fibonacci rhythms, phyllotaxis and logarithmic spirals all informing the work.

The freehand ink on paper drawings counterpoint the porcelain vessels in that they are done more rapidly. A pyramidal motif as seen from above is the point of departure for these drawings, initiating a journey of focused intuition opening outward and looping back incrementally to the centre. An ‘abrash’ of improvised clustered organic growth patterns is revealed as a result of this process.

These drawings are part of a continuing series started in 1996.

Exhibitions include:

2013

Everard Read Centenary, Cape Town

2011

Everard Read Gallery, Cape Town
‘Vessels’, Solo exhibition, porcelain vessels and ink on paper line drawings

Dubhe Carreño Gallery, Chicago

2009

SOFA Chicago, Portals Gallery

2008

SOFA Chicago, Portals Gallery

2007

Portals Gallery, Chicago

SOFA Chicago, Portals Gallery

2006

Ceramics S.A. Artscape, Cape Town

The Cape Gallery, Cape Town

SOFA Chicago, Portals Gallery

2005

Ceramics S.A. Artscape, Cape Town

‘Porcelain’ Rust-en-Vrede, Durbanville

2004

The Cape Gallery, Cape Town

2003

Altech Triennale, Artscape, Cape Town

2002

‘African Earth’, Museum Africa, Johannesburg

FNB Vita, Museum Africa, Johannesburg

‘Variations’, art b, Bellville Centre

2001

APSA Nationals, Cape Town

Salon at the Bay Hotel, Cape Town

1998

APSA Cape Regionals, Cape Town

1996

National Ceramics Biennale, Johannesburg

1988

The Camden Arts Centre, London

Also see:

Everard Read Gallery Cape Town past exhibition

Nelson Mandela Metropolitan Museum permanent collection

Ellerman House art collection

Cape Town Creatives featured artist portfolio

Cape Town Creatives blog

Pottery Making Illustrated November/December 2012

Handbuilding Techniques, The American Ceramic Society, 2015